INLET - About walls and borders
INLET is a contemporary dance production by Saeed Hani inspired by the legend of Romulus and Remus and the symbolic meaning of Rome’s city walls. The work explores the role of walls and borders throughout human history and reflects on their impact on our lives today. Growing up in the Middle East, Hani experienced how borders can shape not only territories but also identities, freedoms, and ways of thinking. Through movement, the performance examines themes of separation, belonging, fear, vulnerability, resistance, and the human desire for connection. At the center of INLET is the body itself. Through powerful physicality and striking visual imagery, the performers create an immersive experience that invites audiences to reflect on the visible and invisible boundaries that influence human relationships and society. Rather than offering clear answers, the work encourages questions about the systems, fears, and divisions that continue to shape the contemporary world.
Since its premiere, INLET has been presented internationally in Luxembourg, Germany, Greece, Mexico, and at the Edinburgh Festival Fringe 2025. The production received a nomination for The List Festival Award for Best Dance, Circus & Physical Theatre Show and has connected with audiences across a wide range of cultural contexts.
INLET is a reflection on borders, freedom, and coexistence - an invitation to reconsider the walls we build around ourselves and one another.
ENSEMBLE
Nowadays, Ana is a freelance dance artist based in Madrid, in this years she works with choreographers such as Sol Picó, Isabel Vázquez, Victoria P.Miranda, Saeed Hani, Giovanni Zazzera, Manuela Barrero, and Xián Martínez. She also worked as a dancer for Ópera in Teatro de la Zarzuela and Teatro de la Maestranza.
KHAOS is her second project with Hani Dance. She is also developing her choreographic interest with Colectivo Banquet, touring pieces for nonconventional spaces in different festivals in Spain. She trained in contemporary dance at Conservatorio Profesional de Danza María de Ávila, Madrid, and graduated with MA in Contemporary Choreography from the Northern School of Contemporary Dance in Leeds.
Michele is a dancer, who is investigating more and more the idea of corporeality through the research of physical theatre, improvisation and authorship. He studied as a dancer at Opus Ballet to
then conclude his studies at Northern School of Contemporary Dance, where he achieved a Master in Contemporary Dance Performance with Distinction. Inside the program VERVE he danced for Hannes
Langolf, Sita Ostheimer, Lenka Vagnerova and Matthew Robinson. Afterwards he took part in the creation process of ‘Vocabulary of need’ by Yuval Pick at CCNR of Lyon.
From the start of pandemic he decided to focus on discovering Italian realities, collaborating with: Kinkaleri, Sofia Nappi, Company Blu, Cie Twain, Gruppo Nanou and Luna Cenere.
Michele is currently based in Tuscany, where he also studies Psychology at University of Florence and where he collaborates with Sara Capanna e Barbara Carulli for the development of the project
Tracce | Looking for a place to die, co-produced by Anghiari Dance Hub and Company Blu, and winner of Theodor
Rawyler 2022 award.
Francesco was born and raised in Italy. After graduating from London Contemporary Dance School in 2013, Francesco joined Scottish Dance Theatre under the Postgraduate apprenticeship scheme. He remained with the company as full time dancer until 2018, when he started freelancing and working at various projects mainly across the UK, Belgium, France and Lebanon. He worked with renowned international choreographers such as Damien Jalet, Anton Lachky, and Jo Stromgren amongst others.
The most recent production he took part in is ‘Planet [wanderer]’ by Damien Jalet/Kohei Nawa and commissioned by Théâtre National de Chaillot. Last November he also premiered ‘Cents Mille Façons de Parler’ by Maqamat, directed by Omar Rajeh.
Photos by Florian Leible
TRAILER
TEAM
Choreography: Saeed Hani
Dancers: Ana F. Melero, Michele Scappa, Francesco Ferrari
Costume Design: Carolin Schäfer
Light Design: Marc Thein
Stage Design: Saeed Hani
Music: Jakob Schumo
Trailer: Blackgate Media
Photos INLET: Andrea Galad
Production: menschMITmensch e.V. & HANI DANCE
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