INLET

INLET - About walls and borders

Walls have played a significant role throughout human history, both physically and mentally. They act as boundaries, fortresses, and barriers, shaping our interactions and perceptions. In the dance piece "Inlet," choreographer Saeed Hani and his international ensemble delve into the concept of walls and borders, exploring their relevance in today's world. Inspired by the legend of Rome's founding, where a wall holds symbolic importance, Hani raises thought-provoking questions. Growing up in the Middle East, he has experienced firsthand the limitations imposed by walls, not only physically but also morally and intellectually. Hani challenges the glorification of these barriers, questioning their impact on human progress and the denial of individual freedom. Through "Inlet," Hani goes beyond traditional contemporary dance, creating a multidimensional experience. The dancers often perform naked, allowing the audience to focus on the human body and the objects incorporated into the staging. By removing distractions, Hani invites viewers to contemplate the deeper meanings of walls and their effects on humanity. "Inlet" is a compelling exploration of walls and borders, provoking introspection and challenging societal norms. It is a testament to the power of movement art in conveying complex ideas and emotions, transcending the boundaries of traditional dance.

The project is a co-production of menschMITmensch e.V. and Hani Dance and is part of the supporting program of the state exhibition "The Fall of the Roman Empire". Saeed Hani's spark of ideas for the piece ignited while reading the legend of the founding of Rome, in which a wall plays a decisive role. Romolus kills his brother Remus in an argument when he jumps over the newly built city wall, which is considered sacred, smirking. Based on the question "Does a violent beginning inevitably lead to a violent end?" Hani began to deal with walls and their meaning for humanity and for himself.