by Bert Van Pelt
by Bert Van Pelt

THE BLIND NARCISSIST  

 

In Greek mythology Narcissus was the son of the River God Cephissus and the nymph Liriope. He was an incredibly handsome young man who belittled those who loved him and rejected all advances.

 

Nemesis, the Goddess of Revenge, decided to punish Narcissus by drawing him to a lake where he saw his reflection. Unable to look away from such perfection, he fell in love with it. When his love wasn't reciprocated, he couldn't bear to leave his reflection. After staring at it for a few days he grew exhausted, fell into the stream and drowned.

In the contemporary linguistic usage a person who suffers from narcissism is associated with an exaggerated admiration of one's idealized self-perception. The phenomenon of narcissism was well known when Sigmund Freud took up the subject in one of his psychological theories. In his psychoanalysis narcissism claims a place in the regular course of human sexual development. According to Freud, we are not born with an ego; our sense of "having a self" evolves during infancy and early childhood due to the inability of a child to distinguish between one’s self and the mother. His/her libido focuses therefore only on himself/herself.   In an abnormal grade, this feeling is present in adulthood accompanied by a kind of paranoia in which one considers himself godlike and better than others with the conclusion to give one’s self rights at the expense of others. The narcissist believes that it is natural for others to be in his service as he is characterized by selfishness, vanity and ego-centrism.

Along goes the image of rulers all over the world, who embodied the summit of narcissism, raising their heads high, addressing their people, "Who are you to discuss with me”? They do not notice that they lost sight and insight, and that "narcissism" deprived them of communication with their people. What if the scenario is different? What if they listened to the protesters and received their criticisms and demands? The narcissist senses that he does not belong to places and people most of the time, as his mind constantly seeks to attract the attention and admiration of a new person in order to renew his resources that derive his self-confidence and self-respect. The narcissist is not satisfied with one person, and rarely continues in a long-term relationship, always seeking the short-term transitions that are subject to the conditions he sets. The only motive for his entry into any emotional relationship is the quest to find someone who fills the void inside him and is always available to meet his needs, desires and self-esteem. A narcissistic person is skilled at manipulating feelings, especially at the beginning of his emotional relations which explains why many “victims” fall into the narcissist’s trap easily. Everything is not real as it seems, but the motive of the behavior is built attraction to the other party. Despite maximum effort to change someone’s personal narcissism the end result is mostly the realization not being able to do so.

The Blind Narcissist by Blackgate Media
The Blind Narcissist by Blackgate Media
Saeed Hani
Saeed Hani
Gabriel Lawton
Gabriel Lawton
Robin Rohrmann
Robin Rohrmann

Since the rise of social media there have been many studies of online narcissism. One 2010 study notes that the emergence of the possible self “is most pronounced in anonymous online worlds, where accountability is lacking and the ‘true’ self can come out of hiding.”   But non-anonymous social networks like Facebook, which this study was analyzing, “provide an ideal environment for the expression of the ‘hoped-for possible self,’ a subgroup of the possible-self. This state emphasizes realistic socially desirable identities an individual would like to establish given the right circumstances.”


TEAM

Choreographer: Saeed Hani

Dancers: Robin Rohrmann & Gabriel Lawton

Producer: Oliver Moeller

Stage design: Alexander Harry Morrison
Team: Inessa Babkovich, Keti Tskhadadze & Marion Poma
Costume Designer: Nadja Führinger
Video by : Blackgate Media / Joshua Ternes & Felix Keilen
Light & Sound: Nils Römpke
Music: Jakob Schumo
Funding: Ministerium für Wissenschaft, Weiterbildung & Kultur Rheinland-Pfalz,
Kulturamt Stadt Trier, Kulturstiftung Sparkasse Trier, Lotto-Stiftung Rheinland-Pfalz, Kulturstiftung Trier
Support: TUFA Trier, MVG Trier